Elisabet has been engaged at Malmö Opera, where she has performed roles including Fiordiligi in Mozart's Così fan tutte, Titania in Britten's A Midsummer Night's Dream, and Aspasia in Mozart's Mitridate, re di Ponto — a production that was also staged at the Royal Danish Theatre in Copenhagen. She has also taken part in numerous tours, gala concerts, singalong evenings, and the Malmö Festival through Malmö Opera.

Other roles she has performed include Susanna in The Marriage of Figaro, Zerlina in Don Giovanni, Despina in Così fan tutte, Norina in Don Pasquale, Minette in the operetta La chatte métamorphosée en femme by Offenbach at opera houses like Kurtheater Bad Ems in Germany, Teatro Titano in San Marino, Ekhofteater in Gotha in Germany, and at the Vadstena Academy. She has also sung in operetta performances for three summers with Kammaropera Syds’s productions at Ystad Theatre.

As a concert singer, Elisabet has performed works including Mozart's Mass in C minor, Coronation Mass and Exsultate Jubilate, Haydn's The Creation, Orff's Carmina Burana, Handel's Messiah, Larsson's Förklädd Gud (God in Disguise) and Bach's Magnificat, among others alongside the Gothenburg Symphony Orchestra, Helsingborg Symphony Orchestra and the Malmö Opera Orchestra.

Elisabet also has a broad chamber music repertoire and works regularly with pianists Albert Van Pham and Giuliano Guidone. She is furthermore an active interpreter of contemporary and modern music, and has premiered numerous works by contemporary composers — including Bára Gísladóttir's performance opera Cooler Stars Glow Red (Spor Festival 2025) and Carl Unander-Scharin's opera The Tale of the Great Computing Machine (Reaktorhallen, Stockholm, 2022).